Paulie began her professional career as Resident Lighting Designer at the Los Angeles Actors’ Theatre. Since then, she has designed the lighting for over 300 productions at such theatres as the Mark Taper Forum, South Coast Repertory Theatre, Laguna Playhouse, Pasadena Playhouse, Denver Center, Manhattan Theatre Club, Seattle Repertory, Berkeley Rep, Children's Theatre Company of Minneapolis, and Atlanta's Alliance Theatre, as well as theatres in Sweden, Japan, Australia, Czechoslovakia and Poland. She is the recipient of numerous awards including the NAACP Image Award for Theatre and the Angstrom Award for career achievement from the Los Angeles Drama Critics Circle. |
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Exemplary Alum, University of Wyoming School of Arts & Sciences |
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LADCC Angstrom Award for Career Achievement in Lighting Design, 1991 |
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Beverly Hills/Hollywood NAACP Theatre Award for Lighting, Defiance, Pasadena Playhouse, 2008 |
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LA Drama Critics Circle Award for Lighting: 1995 Wit,South Coast Rep |
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LADCC Award for Lighting: 1984 In the Belly of the Beast,Mark Taper Forum |
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40+ Drama-Logue Awards |
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"Lighting designer Paulie Jenkins enhances Faulkner’s free-floating set with subtle color changes that emphasize the cerebral backdrop of ideas. Especially effective is her murky mood setting at the end of Act One when the shift of lighting alerts the audience to the start of the dream sequence." Man and Superman, SCR
- Robert J. Sessions, Drama-Logue |
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"As director, Gordon Davidson is efficient—the stage is kept open and is transformed into many locations with the help of a pro and Paulie Jenkins’ fluid lighting." Nine Armenians, Mark Taper Forum
- Laurie Winer, LA Times |
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"Scenic designer Tom Buderwitz has created a finely detailed desert retreat…splendidly lit by Paulie Jenkins." The Ice-Breaker, Laguna Playhouse
- Tom Titus, Coastline Pilot |
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Photo Credits: Paulie Jenkins, Ed Krieger, Craig Schwartz.
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Theatre |
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The Talking Cure |
Gordon Davidson |
Mark Taper Forum |
Nine Armenians |
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Ghetto |
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The Hands of Its Enemy |
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Molly Sweeney |
Gwen Arner |
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The Wash |
Sharon Ott |
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A Lie of the Mind |
Robert Woodruff |
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In The Belly of the Beast |
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The Carpetbagger's Children |
Martin Benson |
South Coast Repertory |
Wit |
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Playland |
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The Road to Mecca |
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Morning's at Seven |
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Dancing at Lughnasa |
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Shadowlands |
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Our Country's Good |
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Man and Superman |
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Heartbreak House |
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How the Other Half Loves |
David Emmes |
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Woman in Mind |
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Jar the Floor |
Benny Sato
Ambush |
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The Caretaker |
Paul Marcus
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A Midsummer Night's Dream |
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The School for Scandal |
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Blue Window |
Norman Rene |
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Moonlight & Magnolias |
Andrew Barnicle |
The Laguna Playhouse |
An Empty Plate in the Cafe du Grande Boeuf |
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Brownstone |
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Red Herring |
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The Sleeper |
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Tabletop |
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Rounding Third |
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Kevin's Bed |
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Picasso at the Lapin Agile |
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Woman in Black |
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The Last Session |
Jim Brochu |
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Far East |
Jules Aaron |
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Gunmetal Blues |
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Defiance |
Andrew Robinson |
Pasadena Playhouse |
Fences |
Sheldon Epps |
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The Waverly Gallery |
Bruno Kelly |
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After-Play |
David Saint |
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The Foreigner |
Andrew Barnicle |
San Jose Repertory |
A Streetcar Named Desire |
Steve Albrezzie |
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Arms and the Man |
Kent Stephens |
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Arsenic and Old Lace |
Greg Boyd |
Alley Theatre |
Towards Zero |
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Wit |
Martin Benson |
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Robbers |
Daniel
Sullivan |
Seattle Repertory Theatre |
Wit |
Martin Benson |
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That's It, Folks |
Doug Hughes |
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Wind in the Willows |
Gary Gissleman |
Children's Theatre Company of Minneapolis |
Abundance |
Ron Lagomarsino |
Manhattan Theatre Club |
Private Lives |
Sharon Ott |
Berkeley Repertory Theatre |
Cat on a Hot Tin Roof |
Fred Chappel |
Alliance Theatre Company |
Julius Caesar |
Robert Woodruff |
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It's Only a Play |
John Tillinger |
Ahmanson at the Doolittle |
A Little Night Music |
Gordon Davidson Arthur B. Rubinstein |
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